10 Apps To Help Control Your Fela
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Beatris 24-06-09 07:07 view174 Comment0관련링크
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Fela Kuti
Fela is a man of contradictions. This is what makes him so intriguing. People who love him forgive the flaws in him.
His songs often run for up to 20 minutes, and are sung in dense, almost unintelligible Pidgin English. His music is inspired by Christian hymns, jazz, classical music, Yoruba music, chant, and horn-and-guitar heavy highlife.
He was a musician
Fela Kuti embodied the idea that music is a tool for change. He made use of his music to push for political and social change and his influence can be evident in the world of even today. Afrobeat is a musical style that blends African and Western influences. Its roots are in West-African and funk. However, it has evolved into a new genre.
His political activism was fierce and fearless. He made use of his music to protest against government corruption and human rights abuses. Songs such as "Zombie", "Coffin for the State Head" and others were blatant criticisms of Nigeria's dictatorship. The residence he lived in, Kalakuta Republic, as an area for political activism and an opportunity to meet like-minded individuals.
The play features a large portrait of his mother, Funmilayo Ransome-Kuti, who was a well-known feminist activist and feminist pioneer. Shantel Cribbs plays her, and she does a fantastic job of capturing the importance she played in the life of Fela. The play also explores her political activism. Despite her deteriorating health she was unable to get checked for AIDS and instead opted for traditional treatment.
He was a musician
Fela Ransome-Kuti was a multifaceted man who employed his music as a tool for political change. He is known for creating afrobeat - a fusion of funk and dirty African rhythms. He was also a constant critic of Nigeria's governmental and religious leaders.
Having been raised by an anti-colonial suffragist mom and a feminist father, it's not a surprise that Fela was interested in social commentary and politics. His parents wanted him to be a physician, but he had different plans.
While he began in a more political highlife fashion, a trip in America would change his outlook forever. The music he composed was greatly influenced by his exposure to Black Power movements and leaders like Eldridge Clever and Malcolm X. He adopted an African-centric philosophy that would influence and guide his later work.
He was a songwriter
Fela met Black Power activists like Stokely Carmichael, and Malcolm X while in the United States. The experience inspired him to create an organization called the Movement of the People, and to compose songs that reflected his ideas about black activism and political consciousness. His philosophy was expressed publicly through yabis, a form of public speaking he called 'freedom expression'. He also began imposing an ethical code of conduct on his band. This included refusing to accept medication from Western-trained medical professionals.
After his return to Nigeria Fela started building his own club The Shrine in Ikeja. The frequent raids by military and police officials were almost constant. His Mosholashi-Idi Oro hangers were able to repopulate the area around the club with hard drugs, especially "bana" and "yamuna" (heroin). Fela kept his integrity regardless of this. His music is a testimony to the determination with which he challenged authority and demanded that popular ambitions be reflected in official goals. It is an influence that will last for generations.
He was a poet
Fela's music employed sarcasm and humor to draw attention to economic and political issues in Nigeria. He also mocked his audience as well as the government and himself. He often referred to himself during these shows as "the big dick on the little pond." The authorities were not taking his jokes lightly, and he was often detained, imprisoned, and beat by the authorities. He eventually adopted the name Anikulapo, meaning "he carries death in his bag."
In 1977, Fela released a song called "Zombie" in which he compared soldiers with blind zombies who obeyed orders without asking questions. The military was offended by this and seized Kalakuta Republic. They burned it down and beat its residents. In the course of the raid, her mother was thrown out of her second-floor window.
In the years following the independence of Nigeria, Fela created Afrobeat, an genre of music that combines jazz with native African rhythm. His songs criticised European imperialism in culture and praised African traditional beliefs and cultures. He also criticized fellow Africans for disrespecting their country's tradition. He stressed the importance of freedom and human rights.
He was a rapper
Fela Anikulapo Kuti, a saxophonist and trumpeter, was born in Abeokuta in 1938. He is a pioneer in Afrobeat music. He grew up listening to jazz and rock and roll, as well as traditional African music and chants which influenced his style of music. After a visit to the United States, Fela met Sandra Smith. She was an activist in the Black Power Movement. Her ideas were influential in his work.
Fela's music was a political instrument after his return to Nigeria. He criticised the government of his native country and also argued against Western sensibilities that impacted African culture. He also wrote about societal inequities and human rights violations and was frequently detained for his criticism of the military.
Fela also advocated for the use of marijuana, known as "igbo" in Africa. He also held "yabis" (public discussions) at the Afrika Shrine, where he would mock government officials and express his views on freedom of expression and beauty of women's bodies. Fela had an harem, which was an ensemble of young women who performed at his shows and backing his vocally.
He was a dancer
Fela was a master at musical fusion. He fused elements of beat music, and highlife into his own unique style. He was a renowned African musician and a vocal critic of colonial rule.
Despite being arrested and tortured by the Nigerian military junta, and witnessing his mother killed, Fela refused to leave the country. He died in 1997 from AIDS-related complications.
Fela was a prominent political activist who was critical of the oppressive Nigerian Government and endorsed the principles Pan Africanism. His albums, such as 1973's Gentleman focused on the oppression of both the government and colonial parties. He also promoted black power and criticized Christianity and Islam as non-African imports, which have been used to divide the people of Africa. The title track of a 1978 album, Shuffering and Shmiling, describes the over-crowded public buses full of poor people "shuffering and smiling." Fela was a strong opponent of hypocrisy in religion. His music was enhanced by his dancers, who were lively, sensual, and regal. Their contributions to the performances were as significant as Fela's words.
He was an activist in the political arena.
Fela Kuti used music as a way to challenge unjust authorities. He adapts his knowledge of American jazz and funk to African patterns and rhythms and created an ear that was ready for a fight. The majority of his songs begin as slow instrumentals, gradually layering small riffs and melodies until they explode in a flash of vigor.
Fela, unlike many artists who were scared to discuss their political views, was fearless and unbending. He stood in his convictions even when it was risky to do so. His mother, Funmilayo Runsome-Kuti was a fervent feminist who was the leader of the Nigerian Women's movement. His father was a protestant minister, and the head of the teachers' union.
He also founded Kalakuta Republic - a recording studio and commune that grew into a symbol of the resistance. The government raided the Kalakuta Republic which destroyed property and injuring Fela. He refused to back down however and continued to speak out against the government. He passed away in 1997 due to complications caused by AIDS. He was succeeded by his son, Femi, who continues to carry on his music and political legacy.
He was a father
Music is often viewed as a political act, and musicians use lyrics to solicit change. But some of the most powerful musical protests don't use words in any way. Fela Kuti was one of them, and his music continues to ring out today. He was the first to pioneer Afrobeat music, which combines traditional African rhythms and harmony with hip-hop and jazz and was influenced by artists such as James Brown.
fela law assistance (Suggested Resource site)'s mother, Funmilayo Runsome-Kuti was a militant and unionist who stood up against colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also was a Marxist and believed that Nigeria should be serving its whole population.
Fela's son Seun is continuing his father's work, with a band called Egypt 80 that's touring the world this year. The band's music combines the sounds and political stances of Fela's era with a passionate critique of the same power structures that are still in place today. Black Times will be released at the end March. A large number of fans gathered to pay their respects at the funeral at Tafawa Balewa square. The crowd was so big, that the police had to shut down the entrance.
Fela is a man of contradictions. This is what makes him so intriguing. People who love him forgive the flaws in him.His songs often run for up to 20 minutes, and are sung in dense, almost unintelligible Pidgin English. His music is inspired by Christian hymns, jazz, classical music, Yoruba music, chant, and horn-and-guitar heavy highlife.
He was a musician
Fela Kuti embodied the idea that music is a tool for change. He made use of his music to push for political and social change and his influence can be evident in the world of even today. Afrobeat is a musical style that blends African and Western influences. Its roots are in West-African and funk. However, it has evolved into a new genre.
His political activism was fierce and fearless. He made use of his music to protest against government corruption and human rights abuses. Songs such as "Zombie", "Coffin for the State Head" and others were blatant criticisms of Nigeria's dictatorship. The residence he lived in, Kalakuta Republic, as an area for political activism and an opportunity to meet like-minded individuals.
The play features a large portrait of his mother, Funmilayo Ransome-Kuti, who was a well-known feminist activist and feminist pioneer. Shantel Cribbs plays her, and she does a fantastic job of capturing the importance she played in the life of Fela. The play also explores her political activism. Despite her deteriorating health she was unable to get checked for AIDS and instead opted for traditional treatment.
He was a musician
Fela Ransome-Kuti was a multifaceted man who employed his music as a tool for political change. He is known for creating afrobeat - a fusion of funk and dirty African rhythms. He was also a constant critic of Nigeria's governmental and religious leaders.
Having been raised by an anti-colonial suffragist mom and a feminist father, it's not a surprise that Fela was interested in social commentary and politics. His parents wanted him to be a physician, but he had different plans.
While he began in a more political highlife fashion, a trip in America would change his outlook forever. The music he composed was greatly influenced by his exposure to Black Power movements and leaders like Eldridge Clever and Malcolm X. He adopted an African-centric philosophy that would influence and guide his later work.
He was a songwriter
Fela met Black Power activists like Stokely Carmichael, and Malcolm X while in the United States. The experience inspired him to create an organization called the Movement of the People, and to compose songs that reflected his ideas about black activism and political consciousness. His philosophy was expressed publicly through yabis, a form of public speaking he called 'freedom expression'. He also began imposing an ethical code of conduct on his band. This included refusing to accept medication from Western-trained medical professionals.
After his return to Nigeria Fela started building his own club The Shrine in Ikeja. The frequent raids by military and police officials were almost constant. His Mosholashi-Idi Oro hangers were able to repopulate the area around the club with hard drugs, especially "bana" and "yamuna" (heroin). Fela kept his integrity regardless of this. His music is a testimony to the determination with which he challenged authority and demanded that popular ambitions be reflected in official goals. It is an influence that will last for generations.
He was a poet
Fela's music employed sarcasm and humor to draw attention to economic and political issues in Nigeria. He also mocked his audience as well as the government and himself. He often referred to himself during these shows as "the big dick on the little pond." The authorities were not taking his jokes lightly, and he was often detained, imprisoned, and beat by the authorities. He eventually adopted the name Anikulapo, meaning "he carries death in his bag."
In 1977, Fela released a song called "Zombie" in which he compared soldiers with blind zombies who obeyed orders without asking questions. The military was offended by this and seized Kalakuta Republic. They burned it down and beat its residents. In the course of the raid, her mother was thrown out of her second-floor window.
In the years following the independence of Nigeria, Fela created Afrobeat, an genre of music that combines jazz with native African rhythm. His songs criticised European imperialism in culture and praised African traditional beliefs and cultures. He also criticized fellow Africans for disrespecting their country's tradition. He stressed the importance of freedom and human rights.
He was a rapper
Fela Anikulapo Kuti, a saxophonist and trumpeter, was born in Abeokuta in 1938. He is a pioneer in Afrobeat music. He grew up listening to jazz and rock and roll, as well as traditional African music and chants which influenced his style of music. After a visit to the United States, Fela met Sandra Smith. She was an activist in the Black Power Movement. Her ideas were influential in his work.
Fela's music was a political instrument after his return to Nigeria. He criticised the government of his native country and also argued against Western sensibilities that impacted African culture. He also wrote about societal inequities and human rights violations and was frequently detained for his criticism of the military.
Fela also advocated for the use of marijuana, known as "igbo" in Africa. He also held "yabis" (public discussions) at the Afrika Shrine, where he would mock government officials and express his views on freedom of expression and beauty of women's bodies. Fela had an harem, which was an ensemble of young women who performed at his shows and backing his vocally.
He was a dancer
Fela was a master at musical fusion. He fused elements of beat music, and highlife into his own unique style. He was a renowned African musician and a vocal critic of colonial rule.
Despite being arrested and tortured by the Nigerian military junta, and witnessing his mother killed, Fela refused to leave the country. He died in 1997 from AIDS-related complications.
Fela was a prominent political activist who was critical of the oppressive Nigerian Government and endorsed the principles Pan Africanism. His albums, such as 1973's Gentleman focused on the oppression of both the government and colonial parties. He also promoted black power and criticized Christianity and Islam as non-African imports, which have been used to divide the people of Africa. The title track of a 1978 album, Shuffering and Shmiling, describes the over-crowded public buses full of poor people "shuffering and smiling." Fela was a strong opponent of hypocrisy in religion. His music was enhanced by his dancers, who were lively, sensual, and regal. Their contributions to the performances were as significant as Fela's words.
He was an activist in the political arena.
Fela Kuti used music as a way to challenge unjust authorities. He adapts his knowledge of American jazz and funk to African patterns and rhythms and created an ear that was ready for a fight. The majority of his songs begin as slow instrumentals, gradually layering small riffs and melodies until they explode in a flash of vigor.
Fela, unlike many artists who were scared to discuss their political views, was fearless and unbending. He stood in his convictions even when it was risky to do so. His mother, Funmilayo Runsome-Kuti was a fervent feminist who was the leader of the Nigerian Women's movement. His father was a protestant minister, and the head of the teachers' union.
He also founded Kalakuta Republic - a recording studio and commune that grew into a symbol of the resistance. The government raided the Kalakuta Republic which destroyed property and injuring Fela. He refused to back down however and continued to speak out against the government. He passed away in 1997 due to complications caused by AIDS. He was succeeded by his son, Femi, who continues to carry on his music and political legacy.
He was a father
Music is often viewed as a political act, and musicians use lyrics to solicit change. But some of the most powerful musical protests don't use words in any way. Fela Kuti was one of them, and his music continues to ring out today. He was the first to pioneer Afrobeat music, which combines traditional African rhythms and harmony with hip-hop and jazz and was influenced by artists such as James Brown.
fela law assistance (Suggested Resource site)'s mother, Funmilayo Runsome-Kuti was a militant and unionist who stood up against colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also was a Marxist and believed that Nigeria should be serving its whole population.
Fela's son Seun is continuing his father's work, with a band called Egypt 80 that's touring the world this year. The band's music combines the sounds and political stances of Fela's era with a passionate critique of the same power structures that are still in place today. Black Times will be released at the end March. A large number of fans gathered to pay their respects at the funeral at Tafawa Balewa square. The crowd was so big, that the police had to shut down the entrance.
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